I see the world’s dilemmas as inseparable from my materials. My work is made from acrylic, plastic, climate change, isolation, paints, oil, online dating, wood, femininity, the 2008 recession, and 3D prints. My practice frequently begins with found materials and readymade forms. Across sculpture, relief, and installation, I am interested in how objects carry traces of the social, economic, and ideological conditions that produced them. Through the readymade, familiar imagery becomes a foundation for abstracting the narratives embedded within it.

My process is highly experimental. I employ state-of-the-art fabrication methods such as laser engraving and 3D printing alongside traditional processes including woodworking and oil painting. These works function as dialectical images by bringing contemporary fabrication technologies into dialogue with traditional craft. In doing so, they too become markers of the historical moment we inhabit, created through technologies that are themselves destined to become obsolete.